The initial impression interested Serra more and that is how the torqued ellipses project was born. The view from the center of the church gives the impression that both ellipses are a continuous and regular space from the bottom to the top. Looking at the floor, one gets the impression that the ellipse there and the one on the ceiling are inverted reflections of each other. The concept was inspired by San Carlo Alle Quattro Fontane 2, a church in Rome that has been standing since the 15th century. So, how did the Torqued Ellipses by Richard Serra come into being? How Serra came up with the idea for the seriesĪt first, the artist thought he wanted to do a complete misinterpretation of what was actually there. At some point, it seems to be leaning over your head and, in another location, leans in the opposite direction from you. Stepping inside the cave door, the structure does appear to move in line with your movements. Walking around the curve is a mystery as you begin, but some parts like the cave are self-revealing. A curved piece may not seem like much when it is small enough to fit in your hand but wait until you can walk into and around it. Upon realizing that most cities worldwide are characterized by angled buildings, Serra burned with the desire to create a vocabulary that featured curvilinear forms. Sandblasting is responsible for the appearance, an idea that had been cooking in the mind of Richard Serra 1, for more than 25 years before finally being actualized. The steel surface of the structure is covered in a layer of rust and it is not by chance neither is it due to neglect. The experience of walking around the Torqued Ellipse is quite awakening. Structured art is appreciated for the tangible experience it provides – the Torqued Ellipses has a different feel in the interior and another in the exterior. #Rochard serra series#3 How Serra came up with the idea for the series.
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